Jewish American humorist
Leo Calvin Rosten (11 April 1908 – 19 February 1997) was an American teacher, academic and humorist best remembered for his stories about the night-school "prodigy" Hyman Kaplan and for The Joys of Yiddish (1968).
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Any reader who feels superior to such quaint English might remember that when the overwhelming majority of humankind was illiterate, it was hard to find a Jewish lad over six who could not read and write (Hebrew). Most adult male Jews could handle at least three languages: they used Hebrew in the synagogues and houses of study (see Besmedresh), Yiddish in the home, and — to Gentiles — the language of the land in which they lived. My father, a workingman denied the equivalent of a high school education in Poland, handled Yiddish, English, Hebrew, and Polish. Jews were linguists of necessity.
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Yiddish is the Robin Hood of languages. It steals from the linguistically rich to give to the fledgling poor. It shows not the slightest hesitation in taking in house-guests — to whom it gives free room and board regardless of genealogy, faith, or exoticism. A memorable remark by a journalist, Charles Rappaport, runs: “I speak ten languages — all of them in Yiddish.
The Hebrew alphabet, incidentally, came from the inhabitants of Canaan, which was that part of Palestine the Greeks called Phoenicia. Hebrew was most probably the language spoken by the Phoenicians/Canaanites (Isaiah spoke of the “language of Canaan”), who almost surely created those letters that formed a Semitic alphabet and from which all the alphabets in Europe descended. Hebrew was one of a cluster of related languages (Aramaic, Ugaritic, Akkadian, Arabic, etc.) known as “Semitic.
I own a little book written by Jacques-Albin-Simon Collin de Plancy (1793–1887), A Dictionary of Demonology, that has long beguiled me. It catalogs all sorts of spooky spirits, from a Neopolitan pig with the head of a man to Adram-melech, “grand chancellor of hell,” whom the Assyrians worshiped with infant sacrifices and who, learned rabbis said, took the shape of either a mule or a peacock, which runs a gamut of pretty versatile disguises. Amduscias, a grand duke of hell, is shaped like a unicorn — and gives concerts.
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