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Genius, as we tend to talk about it today, is some sort of mysterious and combustible substance that burns brightly and burns out. It's the strange gift of poets and pop stars that allows them to produce one wonderful work in their early twenties and then nothing. It is mysterious. It is there. It is gone.
Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy and a falsehood. To write for mere utility is as foolish as to dress for mere utility.
Mountaineers do it, and climb Everest in clothes that would have you laughed out of the gutter. I suspect they also communicate quickly and efficiently, poor things. But for the rest of us, not threatened by death and yetis, clothes and language can be things of beauty. I would no more write without art because I didn't need to, than I would wander outdoors naked just because it was warm enough. Again.
These figures grow like wildflowers, but they can be cultivated too. I do not believe that The Beatles had any idea what anadiplosis was, any more than I believe that the Rolling Stones knew about syllepsis. They knew what worked, and it did.
The figures of rhetoric are the beauties of all the poems we have ever read. Without them we would merely be us: eating, sleeping, manufacturing and dying. With them everything can be glorious. For though we have nothing to say, we can at least say it well.
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Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy and a falsehood. To write for mere utility is as foolish as to dress for mere utility.
Mountaineers do it, and climb Everest in clothes that would have you laughed out of the gutter. I suspect they also communicate quickly and efficiently, poor things. But for the rest of us, not threatened by death and yetis, clothes and language can be things of beauty. I would no more write without art because 1 didn't need to, than I would wander outdoors naked just because it was warm enough. Again.
These figures grow like wildflowers, but they can be cultivated too. I do not believe that The Beatles had any idea what anadiplosis was, any more than I believe that the Rolling Stones knew about syllepsis. They knew what worked, and it did.
The figures of rhetoric are the beauties of all the poems we have ever read. Without them we would merely be us: eating, sleeping, manufacturing and dying. With them everything can be glorious. For though we have nothing to say, we can at least say it well.
We usually think of beavers as sweet little creatures who build dams, but that’s not how a constipated Renaissance man would view them; a constipated Renaissance man would view them as his relief and his cure. You see, the beaver has two sacs in his groin that contain a noxious and utterly disgusting oil that acts as a very effective laxative. This very valuable liquid was known as castor oil.
But the true and natural home of merism is in legal documents. Lawyers are like Cole Porter and Alfred Lord Tennyson with a blender. A lawyer, for a reason or reasons known only to him or herself, cannot see a whole without dividing it into its parts and enumerating them in immense detail. This may be something to do with the billing system.
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Organize your favorite quotes without limits. Create themed collections for every occasion with Premium.