Maxine Hong Kingston Quotes

I have this motto which is, Pay attention and tell the truth. And in telling the truth, sometimes you tell it fictionally, sometimes you tell it nonfictionally.

I've heard that before, from writers who say that I get them going again. It makes me feel that in my life I am at the source of life and words. I feel that I'm sort of standing over this hole in the universe, and it's all pouring in. I can be a conduit. The people who read my work feel more alive, and they can work. I feel like that about other writers that make me keep going. When I read Virginia Woolf's Orlando or William Carlos Williams's In the American Grain, I can feel like I'm dying, or I'm stuck, both in life and in work. I read those books, and then I start flowing again. I'm happy that I can do that for other people. (1989)

I see these soldiers, people coming back from the wars, and they are so wounded. They are so hurt from what they have experienced and the actions which they have made in the world. And now there is work to be done in pulling our country together and the world together. That's the work that comes after a war. It's how to make peace and how to make the world whole again. (2007)

The poem begins: I am turning 65 years of age. And so I am thinking about how am I growing old. How am I becoming an elder? How am I becoming an elder? I would love to go back to China and be old because there we hear that older people are loved and appreciated. I can't grow old in America. America is a country for young people. So I can't grow old here. Should I go back to China and grow old there? So those are the questions that I'm asking…

(Your books are a lot about people's inhumanity to one another, so I wondered where you find comfort and balance?) MHK: I ask that of myself a lot: where are the sources of life so that you can renew yourself! I find help in nature. We should always remember to plop ourselves under the trees because every time I've ever done that I feel the earth giving me energy and the sky giving me perspective, and I come as close as I ever do to satori. Then I realize that life in the city cuts me up into pieces. I know that, and yet I don't leave it. All I have to do is go out into nature and it gives me strength to come back and work on. And I read-there are writers who give you life whether or not they write well, it's very odd. I feel that way about Anaïs Nin, who sometimes I don't think writes well. I re-read Orlando whenever I feel stuck, and I read poetry. (1986)

It's always important to tell the truth because if you don't, there are all kinds of terrible social and psychological consequences. There are implosions and crazinesses that take place when you keep important energies and forces locked up inside of yourself. I think that some of our truths are things that are not dealt with in standard autobiography. I think that dreams are very important to women-and important to everybody's psyche-and to have access to those dreams is a great power. Also visions that we have about what we might do, also prayers-that's another "silent, secret" kind of thing. I think part of what we have to do is figure out a new kind of autobiography that can tell the truth about dreams and visions and prayers. I find that absolutely necessary for our mental and political health. I think the standard autobiography is about exterior things, like when you were born and what you participate in-big historical events that you publicly participate in-and those kinds of autobiographies ignore the rich, personal inner life. I feel that it's a mission for me to invent a new autobiographical form that truly tells the inner life of women, and I do think it's especially important for minority people, because we're always on the brink of disappearing. (1990)

war is utter destructive violent chaos. There is no "art," no "order(s)," no "just war." No matter what the ideologies, wars are the same. (sonshi)

I feel that I break through pigeonholes of what's fiction and what's nonfiction, of what an autobiography is. (1990)

When I write I also claim America in a literary way, in an artistic way. When people claim countries, it's usually thought of as conquering them in war. I'm claiming America in a pacifist way, in an artistic way.

Ocean people are different from land people. The ocean never stops saying and asking into ears, which don't sleep like eyes. Those who live by the sea examine the driftwood and glass balls that float from foreign ships. They let scores of invisible imps loose out of found bottles. In a scoop of salt water, they revive the dead blobs that have been beached in storms and tides: fins, whiskers, and gills unfold; mouths, eyes, and colors bloom and spread. Sometimes ocean people are given to understand the newness and oldness of the world; then all morning they try to keep that boundless joy like a little sun inside their chests. The ocean also makes its people know immensity. (p90)

When I write most deeply, fly the highest, reach the furthest, I write like a diarist-that is, my audience is myself. I dare to write anything because I can burn my papers at any moment. I do not begin with the thought of an audience peering over my shoulder, nor do I find my being understood a common occurrence anyway-a miracle when it happens.

it takes a whole life to organize and demonstrate and it takes another whole life to get writing done. The problem is making the day stretch from one point to another.

Of course, I'm an ethnic writer, and only benighted people see ethnics as not partaking of the macrocosmic. And only Chinese Americans who are very mad would kick an admirer of Henry James and William Carlos Williams out of our family

There's a redemption that takes place in art (1990)

One of the wonderful things about the 1960s was language. There was a new language and there were wonderful new ways of describing psychedelic states, spiritual states, trying to find new words for political actions like those of Gandhi and Martin Luther King. What do you call that when you sit at the lunch counter and you don't move and you do it with peace and love?