Yahweh to Urset
I pray that you are kept safe throughout this day, that
you live as wholly as you can, that you see things that
you have not seen before and that more of them are
beautiful than not, more of them delightful than not.
I pray that you hold easily in your hands the balance
of the earth and sky, that you laugh and cry, know
freedom and restraint, some joy and some sorrow,
pleasure and pain, much of life and a little of death.
I pray that you are grateful for the gift of your being,
and I pray that you celebrate your life in the proper
way, with grace and humility, wonder and contentment,
in the strong, deep current of your spirit’s voice. I pray
that you are happily in love with the dawn and that you
are more deeply in love in the dusk.
Kiowa author and academic (1934–2024)
N. Scott Momaday (February 27, 1934 – January 24, 2024) was a Kiowa novelist, short story writer, essayist and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work's celebration and preservation of indigenous oral and art traditions. He held twenty honorary degrees from colleges and universities and was a fellow of the American Academy of Arts and Sciences.
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The mortar fire had stopped. ...The silence had awakened him—and the low, even mutter of the machine that was coming. ...His vision cleared and he saw the countless leaves dip and sail across the splinters of light. The machine... was coming. ...The sound of the machine brimmed at the ridge ...whole and deafening. His mouth fell open upon the cold, wet leaves, and he began to shake violently. ...Then, through the falling leaves, he saw the machine. It rose up behind the hill, black and massive, looming there in front of the sun, He saw it swell, deepen, and take shape on the skyline, as if it were some upheaval of earth. ...For a moment it seemed apart from the land ...Then it came crashing down to the grade, slow as a waterfall, thunderous, surpassing impact, nestling almost into the splash and boil of debris. He was shaking violently, and the machine bore down upon him, came close, and passed him by. A wind arose and ran along the slope, scattering the leaves.
The people of the town have little need. They do not hanker after progress and have never changed their essential way of life. Their invaders were a long time in conquering them; and now, after four centuries of Christianity, they still pray in Tanoan to the old deities of the earth and sky and make their living from the things that are and have always been within their reach; while in the discrimination of pride they acquire from their conquerors only the luxury of example. They have assumed the names and gestures of their enemies, but have held on to their own, secret souls; and in this there is a resistance and an overcoming, a long outwaiting.
I have walked in a mountain meadow bright with Indian paintbrush, lupine, and wild buckwheat, and I have seen high in the branches of a lodgepole pine the male pine grosbeak, round and rose-colored, its dark, striped wings nearly invisible in the soft, mottled light. And the uppermost branches of the tree seemed very slowly to ride across the blue sky.
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The aged visitors who came to my grandmother's house when I was a child were made of lean and leather, and bore themselves upright. They wore great black hats and bright ample shirts that shook in the wind. They rubbed fat upon their hair and wound their braids with stripes of colored cloth. ...They were an old council of warlords, come to remind and be reminded of who they were.
Song of Longing
Will you come to me now
Thee white moon shines on the cornfields
Evening falls among the melon rows
The orange sun sets on the mountains
The river runs sparkling on blue stones
And the long reeds bend and sway
I will welcome you with sweetgrass and sage
Will you come to me now
I sing in my heart of your coming
I sing in my soul of your coming
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There were frequent prayer meetings and great nocturnal feasts. When I was a child I played with my cousins outside... where the lamplight fell upon the ground and the singing of the old people rose up around us and carried away into the darkness. ...And afterwards, ...I lay down with my grandmother and could hear the frogs away by the river and feel the motion of the air.
I prayed. He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out upon the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home.