Japanese author (1925–1970)
Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
榊山保
•
三島由紀夫
Native Name:
三島 由紀夫
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平岡 公威
Alternative Names:
Mishima Yukio
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Kimitake Hiraoka
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Hiraoka Kimitake
From Wikidata (CC0)
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He had never looked forward to the wisdom and other vaunted benefits of old age. Would he be able to die young — and if possible free of all pain? A graceful death — as a richly patterned kimono, thrown carelessly across a polished table, slides unobtrusively down into the darkness of the floor beneath. A death marked by elegance.
How shall I put it? Beauty-yes, beauty is like a decayed tooth. It rubs against one's tongue, it hangs there, hurting one, insisting on its own existence, finally it gets so that one cannot stand the pain and one goes to the dentist to have the tooth extracted, Then, as one looks at the small, dirty, brown, blood-stained tooth lying in one's hand, one's thoughts are likely to be as follows: ‘Is this it? Is this all it was? That thing which caused me so much pain, which made me constantly fret about its existence, which was stubbornly rooted within me, is now merely a dead object. But is this thing really the,same as that thing? If this originally belonged to my outer existence, why-through what sort of providence-did it become attached to my inner existence and succeed in causing me so much pain? What was the basis of this creature's existence? Was the basis within me? Or was it within this creature itself? Yet this creature which has been pulled out of my mouth and which now lies in my hand is something utterly different. Surely it cannot be that?
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…the samurai ethic is a political science of the heart, designed to control such discouragement and fatigue in order to avoid showing them to others. It was thought more important to look healthy than to be healthy, and more important to seem bold and daring than to be so. This view of morality, since it is physiologically based on the special vanity peculiar to men, is perhaps the supreme male view of morality.
I finally decided it was about time to put an end to the business and led a wild flight into the house. The female soldiers came running after me, giving a continuous fusillade of bang-bang-bang's. I clutched at my heart and collapsed limply in the center of the parlor. "What's the matter, Kochan?" they asked, approaching with worried faces."I'm being dead on the battlefield," I replied, neither opening my eyes nor moving my hand.I was enraptured with the vision of my own form lying there, twisted and fallen.There was an unspeakable delight in having been shot and being on the point of death. It seemed to me that since it was I, even if actually struck by a bullet,there would surely be no pain.
My "act" has ended by becoming an integral part of my nature, I told myself. It's no longer an act. My knowledge that I am masquerading as a normal person has even corroded whatever of normality I originally possessed, ending by making me tell myself over and over again that it too was nothing but a pretense of normality. To say it another way, I'm becoming the sort of person who can't believe in anything except the counterfeit.