yesterday, in cafés and bars and streets all over town, thousands of other young couples had met, men and women whose paths had crossed and who had s… - Dorit Rabinyan

Through all those years Marcelle had confused Yoel with the imaginary heroes that her sad eyes cut out of the romances she read... and she realized that all through the past years she had merely travelled over the road map of the land of love, never in the land itself.

(Does she see herself as a Mizrahi writer?) Yes, of course. Some of my female colleagues claim that my writing is not feminist literature. And I completely agree, because it is human literature, written by a woman. The fact that I am a woman colors my writing. I am proud of being a woman, just as I am proud of being an Israeli of Iranian descent. I write from what is essentially me, and being Iranian is absolutely an element of that.

The differences between me and an author like Etgar Keret, who has parents who survived the Holocaust, are obvious-but so are the similarities. In a way, we are both telling the stories of those who were silenced by Israeli hegemony. There was a conformity that said, 'Let bygones be bygones! We will create a new country! We want the children here to be proud and magnificent!' But this is not a fair game. And there is a great opportunity for literature here, to give voice to those silenced voices.