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Writing is one of the ways I participate in struggle-one of the ways I help to keep vibrant and resilient that vision that has kept the Family going on. Through writing I attempt to celebrate the tradition of resistance, attempt to tap Black potential, and try to join the chorus of voices that argues that exploitation and misery are neither inevitable nor necessary. Writing is one of the ways I participate in the transformation-one of the ways I practice the commitment to explore bodies of knowledge for the usable wisdoms they yield. In writing, I hope to encourage the fusion of those disciplines whose split (material science versus metaphysics versus aesthetics versus politics versus...) predisposes us to accept fragmented truths and distortions as the whole. Writing is one of the ways I do my work in the world. There are no career labels for that work, no facile terms to describe the tasks of it. Suffice to say that I do not take lightly the fact that I am on the earth at this particular time in human history, and am here as a member of a particular soul group and of a particular sex, having this particular adventure as a Pan-Africanist-socialist-feminist in the United States. I figure all that means something about what I'm here to understand and to do.

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I started writing naturally, not really knowing why. After more than twenty years since the publication of my first book of short stories, I believe that writing has become a necessity for me. As a human being, a black woman, writing helps me to make sense of the world. The more I write, the more I read, the more I see the world and its challenges—the deep inequalities, the constant struggles of the majority of the world’s population to live decently—the more I see writing as an urgency.

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Working at a university I've made the observation that many student writers write for the sake of writing. They are really writing for other writers, not to tell a necessary story, not out of urgency and need. I have keenly felt that writing must be more than that, that it must have a power to enter the world, to begin to change the stories people live by, to open that story into something larger, into something that helps us know how to live. This means that we have to expand not only our work but our ideas about audience. It wouldn't bother me to have academics reject my work if somebody read it and it changed their attitude about deforestation, for example. I think I began to write out of a desire to make change in the world, searching for language that would help me speak my innermost hopes and ways. Writing was something of a foreign language I learned to be fluent in so that I could communicate emotions and what I knew was important-an ethical way of thinking about the world-communicate what racism is and what it does to people.

Writing can be both a task of memory, or homage, and simply a hand held out, the offer to share a sadness that’s too heavy to bear alone. To continue working and try to make a difference constitutes both an obligation and a renewal. This does not mean that writers cannot intervene in other ways, but for me writing helps me sort out my thoughts and feelings, and at the same time, I think I can have some impact on people’s minds.

Writing is a form of activism. Again, let’s not separate into small boxes, ‘activism’ versus writing. Native people, I think, prefer to think in more holistic terms. A story is active and a story changes the world. A story is changing the world as I write this.

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Writing, when all is said and done, is an attempt to understand one's own circumstance and to clarify the confusion of existence, including insecurities that do not torment normal people, only chronic nonconformists, many of whom end up as writers after having failed in other undertakings.

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I don’t see writing as purely fun. I do think that there is something necessary about it. This is what I talked about in my Nobel Prize lecture. There are certain imperatives that came up as I began to think about things. And that’s how I started to write. But continuing to write is because you are faced every day with things that are also necessary to be talked about, to be inquired into. And I think for me, this is the drive. It’s to speak about what I see and to do so in a way that both helps me to understand better what it is that I see and also to disseminate, to tell others about it, if they happen to be interested. I think writing is an important way of extending and understanding our vision to others which is not to say that this is something particularly perceptive or particularly informative. It could be just what we already know. Sometimes we read things and we share in the reflections of others, of the person who’s writing, and perhaps there is some illumination in it that helps us understand, but sometimes it’s just that it endorses things that we have ourselves understood, but not perhaps trusted. So there are various, very complex things happening both in the process of writing but also in the process of the reader engaging with the writing – and I speak as both a reader of course, as well as a writer. That is the pleasure and the fun of the writing process. That you’re not just writing, talking to yourself, but you’re talking to imaginary readers, although for me the imaginary reader is not very specific. You’re not just confiding something to your journal. I know that I will be speaking to people about this and therefore I speak about events in the world. It may be in the form of a story, but a story can be a vehicle for addressing issues as well as addressing injustices as well as indeed just addressing pain and love.

What inspires me to write, is to be able to speak truthfully about what I see and the things that concern me. So it’s not just my eyes are open and therefore, whatever strikes my eye I want to write about it, but there are these concerns about… for example I’m very interested in the way people can retrieve something from trauma, so I’m thinking not only of asylum seekers or refugees, but also of life, of the way people in life are able to get something out of mischance, out of traumatic events. I’ve always been interested in the way families work, particularly the way both power and kindness go along together. Of course, most families love each other, but at the same time there are, what seem like power struggles going on within families. I’m interested in writing about that and the complexity of that and how out of kindness a kind of a sort of unkindness comes as well – requiring obedience that you don’t shame us by doing this, or by doing that. Particularly, I’m thinking of the way women are treated, in our culture anyway, and in many other cultures. Those are the kinds of things that make me want to write. Things that, as I say, my sense of this needs to be spoken about. I need to say something about this. And of course also the other thing that makes me want to write is to create something which is beautiful and pleasurable.

To write is to bring an inner voice into the outer world, to believe that our thoughts are worth entering the thinking of others, and to make real what has never existed in quite the same way before. What could be a better path to self-value than that?

Why am I compelled to write? Because the writing saves me from this complacency I fear. Because I have no choice. Because I must keep the spirit of my revolt and myself alive. Because the world I create in the writing compensates for what the real world does not give me. By writing I put order in the world, give it a handle so I can grasp it. I write because life does not appease my appetites and hunger. I write to record what others erase when I speak, to rewrite the stories others have miswritten about me, about you.

Writing organizes and clarifies our thoughts. Writing is how we think our way into a subject and make it our own. Writing enables us to find out what we know — and what we don’t know — about whatever we’re trying to learn.

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