Multiplicity, considered apart from its principle, and therefore as no longer capable of being reduced to unity, takes the form in the social realm of a community conceived only as the arithmetical sum of its component individuals; in fact, a community is no more than this, once it has ceased to be attached to any principle superior to these individuals.

[...] I who do not even dare to say, when one is added to one, whether the one to which the addition was made has become two, or the one which was added, or the one which was added and the one to which it was added became two by the addition of each to the other. I think it is wonderful that when each of them was separate from the other, each was one and they were not then two, and when they were brought near each other this juxtaposition was the cause of their becoming two. And I cannot yet believe that if one is divided, the division causes it to become two; for this is the opposite of the cause which produced two in the former case; for then two arose because one was brought near and added to another one, and now because one is removed and separated from other. And I no longer believe that I know by this method even how one is generated or, in a word, how anything is generated or is destroyed or exists, and I no longer admit this method, but have another confused way of my own.

The multiplicity is only apparent. This is the doctrine of the Upanishads. And not of the Upanishads only. The mystical experience of the union with God regularly leads to this view, unless strong prejudices stand in the way.

Since its Parmenidean organization, ontology has built the portico of its ruined temple out of the following experience: what presents itself is essentially multiple; what presents itself is essentially one. The reciprocity of the one and being is certainly the inaugural axiom of philosophy - Leibniz formulation is excellent; 'What is not a being is not a being' - yet it is also its impasse; an impasse in which the revolving doors of Plato's Parmenides introduce us to the singular joy of never seeing the moment of conclusion arrive. For if being is one, then one must posit that what is not one, the multiple, is not . But this is unacceptable for thought because what is presented is multiple and one cannot see how there could be an access to being outside all presentation. If presentation is not, does it still make sense to designate what presents (itself) as being? On the other hand, if presentation is, then the multiple necessarily is.

But it is quite easy to express the solution in words, thus: the plurality that we perceive is only an appearance; it is not real. Vedantic philosophy, in which this is a fundamental dogma, has sought to clarify it by a number of analogies, one of the most attractive being the many-faceted crystal which, while showing hundreds of little pictures of what is in reality a single existent object, does not really multiply the object... 'You may suddenly come to see, in a flash, the profound rightness of the basic conviction of Vedanta: … knowledge, feeling and choice are essentially eternal and unchangeable and numerically one in all men, nay in all sentient beings.'

The contradictory conceptual couple, identity and difference, is not the adequate framework for understanding the organization of the multitude. Instead we are a multiplicity of singular forms of life and at the same time share a common global existence. The anthropology of the multitude is an anthropology of singularity and commonality.

The plurality that we perceive is only an appearance; it is not real. Vedantic philosophy... has sought to clarify it by a number of analogies, one of the most attractive being the many-faceted crystal which, while showing hundreds of little pictures of what is in reality a single existent object, does not really multiply that object.

"psychical life is neither unity nor multiplicity, that it transcends both the mechanical and the intellectual, mechanism and finalism having meaning only where there is "distinct multiplicity," "spatiality," and consequently assemblage of pre-existing parts: "real duration" signifies both undivided continuity and creation."

In all the previous cases of wholes, we have nowhere been able to argue from the parts of the whole. Compared to its parts, the whole constituted by them is something quite different, something creatively new, as we have seen. Creative evolution synthesises from the parts a new entity not only different from them, but quite transcending them. That is the essence of a whole. It is always transcendent to its parts, and its character cannot be inferred from the characters of its parts.

Supposing that originally there was nothing but one creator, how could ordinary binary sexual relations come into being?

One sees that all explicit opposites are implicit allies—correlative in the sense that they "gowith" each other and cannot exist apart. This, rather than any miasmic absorption of differences into acontinuum of ultimate goo, is the metaphysical unity underlying the world. For this unity is not mere one-ness as opposed to multiplicity, since these two terms are themselves polar. The unity, or inseparability, of one and many is therefore referred to in Vedanta philosophy as "nonduality" (advaita) to distinguish it from simple uniformity.

In sum, all the rest of this essay will be nothing but the story of the struggle in the universe between the unified multiple and the unorganized multitude: the full application of great Law of complexity and consciousness: a law that... implies a psychically convergent structure and curvature of the world.

Matter is essentially multiplicity and division, and this-be it said in passing-is why all that proceeds from matter can beget only strife and all manner of conflicts between peoples as between individuals. The deeper one sinks into matter, the more the elements of division and opposition gain force and scope; and, contrariwise, the more one rises toward pure spirituality, the nearer one approaches that unity which can only be fully realized by consciousness of universal principles.

Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world. Of those three components only one, the medium, is material.