Since Thami had the Arab's utter incomprehension of the meaning of pornography, he imagined that the police had placed the ban on obscene films because these infringed upon Christian doctrine at certain specific points, in which case any Christian might be expected to show interest, if only to disapprove.
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Pornography’s male-born explicitness renders visible what is invisible, woman’s chthonic internality. It tries to shed Apollonian light on woman’s anxiety-provoking darkness. The vulgar contortionism of pornography is the serpentine tangle of Medusan nature. Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature. The banning of pornography, rightly sought by Judeo-Christianity, would be a victory over the west’s stubborn paganism. But pornography cannot be banned, only driven underground, where its illicit charge will be enhanced.
the problem with this country. Ah, one of them. There are many. But this whole issue of sexuality and pornography, which I don’t understand what pornography is, I really don’t. To me pornography is, you know, spending all your money and not educating the people in America, but spending it instead on weapons. That’s pornographic to me.
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The spectacle of human beings fighting each other for whatever reason, including, at certain well-publicized times, staggering sums of money, is enormously disturbing because it violates a taboo of our civilization. Many men and women, however they steel themselves, cannot watch a boxing match because they cannot allow themselves to see what it is they are seeing. One thinks helplessly, This can’t be happening, even as, and usually quite routinely, it is happening. In this way boxing as a public spectacle is akin to pornography: in each case the spectator is made a voyeur, distanced, yet presumably intimately involved, in an event that is not supposed to happening as it is happening. The pornographic "drama," though as fraudulent as professional wrestling, makes a claim for being about something absolutely serious, if not humanly profound: it is not so much about itself as about the violation of a taboo. That the taboo is spiritual rather than physical, or sexual — that our most valuable human experience, love, is being is being desecrated, parodied, mocked — is surely at the core of our culture’s fascination with pornography.
But we’ve got to have an enemy. Rock? Drugs? We’re so miserable, what’s the enemy? Got it. Pornography, that’s it. Yeeeeah, tremor through the room. Uh . . . the problem with pornography, basically, is this. No one knows what it is. Other than that, we’ve got a real good grasp on the situation. We know it’s bad, we just can’t figure out what the fuck it is. The Supreme Court says pornography is any act that has no artistic merit and causes sexual thoughts. That’s their definition. No artistic merit. Causes sexual thoughts. Hmmmmm. Sounds like almost every commercial on TV to me.
I am against a total ban because it is inevitably construed – rightly or wrongly – as being intended to make some point about Islam. If you go for a total ban, you play into the hands of those who want to politicise and dramatise the so-called clash of civilisations; and you fan the flames of grievance. You risk turning people into martyrs, and you risk a general crackdown on any public symbols of religious affiliation, and you may simply make the problem worse.
The zealots also attack me by false analogy, comparing my book to pornography and demanding a ban on both. Many Islamic spokesmen have compared my work to anti-Semitism. But intellectual dissent is neither pornographic nor racist. I have tried to give a secular, humanist vision of the birth of a great world religion. For this, apparently, I should be tried under the Race Relations Act, or if not that perhaps the Public Order Act. Any old act will do. The justification is that I have "given offense." But the giving of offense cannot be a basis for censorship, or freedom of expression would perish instantly. And many of us who were revolted by the Bradford flames will feel that the offense done to our principles is at least as great as any offense caused to those who burned my book.
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Are there no limits to what Muslims can demand, and get away with, in the imagined cause of their religion? ... There is no reason why our political leaders should have to start kowtowing and running scared everytime a bunch of semi-literate mullahs gets up and starts making a noise. ... We have just seen Shiv-Sena government in Maharashtra buckle under Muslim pressure and suspend the release of Mani Rattnam’s Bombay. It is a film about inter-religious marriage and the triumph of peace over communal hatred. ... After seeing the film they came up with a list of objections so absurd that they should have been considered ludicrous in our secular land but they have been taken seriously. They object, we are told, to the last shot. The Muslim girl while eloping with her Hindu husband carried the Koran in her hand. This was bad, they said, because it seemed to imply that her marriage had Islamic sanction. ... Nor did they approve of the film’s first scene which shows a woman lifting her burqa off her face.... Offence was taken, we are told, because a Hindu family was shown being burned alive. A Muslim family is also shown being similarly murdered, because this also happened in the terrible riots of 1992, but our Muslim objectors are selective in their disapproval.
Books that get banned – historically and now in many, many states in the U.S. – are banned not because they are immoral (under accepted and promoted religious ideologies) but because they challenge a current orthodoxy. Often this orthodoxy is about sexuality, gender and sometimes race. But this is only part of what causes this – for the most part what we call “art” (good or bad art) is a product of the imagination. The nature of the imagination is to, well “imagine” – to think outside of the frames of the real, the material world, what is possible, what is considered acceptable. So this is the reason why “art” gets challenged most often by censorship --- it is, or can be, by its nature, a challenge to the status quo to what we are expected to accept as “normal".
When photography appeared in the nineteenth century, it offered a new challenge to the mullahs’ theological acrobatics. Muslims wishing to be photographed remembered the Hadiths against pictorial representation. They were glad to be told that since photographs were made by God Himself through the agency of His Sun they were not under the ban of the paintings by presumptuous human artists. Yet in much of the Muslim world, photographs remained under the Prophet’s ban. A Muslim photographer in Delphi, who had spent many years successfully photographing people in groups, in an onrush of conscience finally destroyed all his plates.
People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.
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