Top 15 Gina B. Nahai Quotes

I used to write in Farsi when I lived in Iran. When I first came to America I wrote in French because my French was better than my English. But I've always liked reading in English. There is a freshness to literature in English. In French there are all these historical and grammatical rules. I also speak Spanish, so having read all these books before in all these languages makes the prose available to me a little richer. I can translate concepts from other languages that don't exist in English.

there's a great resistance in the media to showing anything from the Middle East.

(What do you think is the relationship between Iranian-Americans and Iranians?) It's a pretty close relationship. Of course I'm talking about the Iranians who are conscious of those outside, not those who live far outside the cities in the villages. To those who are conscious there's always been such an incredible relationship between America and Iran. To many it's still The Great White Hope. The "Great Satan" and name-calling and all that was the work of such a small proportion of the people. America is still known as the Land of Good and Plenty. There's a 24-hour AM radio station here in America and you can tell there are people coming here constantly from Iran. There is such little distance and difference between the countries, especially in the minds of the young. The two countries are in almost constant communication, especially with the Internet.

Some readers told me there was a stark difference in the writing in my last book [Moonlight on the Avenue of Faith] between the sections set in Los Angeles and those set in Iran. The Los Angeles sections were harsh and devoid of the magic -- but it's much easier to see the dark parts when they're up close.

Everything always changes as you write.

At some point you just begin to take yourself a little less seriously.

sometimes, truth alone will not suffice. (Part 6, p273)

What do you do with a loss you can neither cure, nor accept, nor overcome? (Part 6, p269)

"There's such a thing as too much hope...It's like a black hole: you fall in, and there's no bottom. That's why [he] is the way he is: he can't tell the difference between what's possible, and what's not." (Part 6, p257)

Every person I know has a hidden half. (Part 4, p158)

Of all the stories I will tell about my mother, this is the one I cherish most. I like to see her at the point of inception, the moment that would set the course for all our lives and all the stories that followed. And though I always know the end even before I have said the first word, I like the possibility, the promise inherent in each new telling, of a different finish. (Part 1, p5)

She's sixteen years old-a young woman in a city with blue mountains. (first line)

I think a lot of people go to writing programs and don’t think of themselves as writers and don’t think of it as a career. Writing is not a hobby!

John Rechy taught me everything. He taught me the importance of structure and the importance of clarity. I see that in my own students as well, you know, confusing mystery with vagueness. He taught me the difference.

On Israel’s Independence Day every year—it’s called something else there like “the worst day that happened to Arabs”—they have funeral marches in the streets all over the Muslim World and people walking like someone died. They mourn like people in Israel celebrate. Well, every year in Iran, the Jews march in the streets in mourning also because they have to prove to the government that they are not Zionists. Being Zionist is punishable by death but being Jewish under the mullahs is accepted. The Jews live in fear in many ways, but I think they are so used to it that the Jews who stayed compare those dangers with other dangers like being in the West and having your children become Westernized or assimilated or being here and not having a job or being unable to make a living.