Argentine writer, essayist, poet and translator (1899–1986)
Jorge Luis Borges (24 August 1899 – 14 June 1986) was an Argentine writer who is considered one of the foremost literary figures of the 20th century. Most famous in the English speaking world for his short stories and fictive essays, Borges was also a poet, critic, translator and man of letters.
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It is love. I will have to run or hide.
The walls of its prison rise up, as in a twisted dream. The beautiful mask has changed, but as always it is the one. Of what use are my talismans: the literary exercises, the vague erudition, the knowledge of words used by the harsh North to sing its seas and swords, the temperate friendship, the galleries of the Library, the common things, the habits, the young love of my mother, the militant shadow of my dead, the timeless night, the taste of dreams?
Being with you or being without you is the measure of my time.
Now the pitcher breaks about the spring, now the man arises to the sound of birds, now those that watch at the windows have gone dark, but the darkness has brought no peace.
It, I know, is love: the anxiety and the relief at hearing your voice, the expectation and the memory, the horror of living in succession.
It is love with its mythologies, with its tiny useless magics.
There exists a corner that I dare not cross.
Now the armies confine me, the hordes.
(This room is unreal; she has not seen it.)
The name of a woman gives me away.
A woman hurts me in all of my body.
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A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one’s art. One must accept it. For this reason I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord. Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so.
And yet, and yet . . . Denying temporal succession, denying the self, denying the astronomical universe, are apparent desperations and secret consolations. Our destiny is not frightful by being unreal; it is frightful because it is irreversible and iron-clad. Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.
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