Marjorie Agosín Quotes

One of the difficulties that a lot of people have is that they long for certainty and long for making sense, but few things make sense in the world. Everything is filled with uncertainty, so we have to acknowledge uncertainty in every aspect of our life and especially in writing.

Since the earliest history, poetry and the spoken word have been the pulse of human civilization.

To be Jewish in Chile was to be above all a foreigner

My whole view of the world and my sense of language and understanding, it's informed by my understanding of poetic language... It's the poet that informs, describes, feels, and understands.

Poetry, which is always with me and brings me to privileged horizons and uncertain but always true pathways

Quite close together, in the warmness of shared bodies, they dared to dream of the sea. Some imagined it as the deep well of the soul; others sketched it out like the face of a drowned man, weighed down with broken seaweed and shells. (first lines of "First Time to the Sea")

translators are the messengers of the spirit. You bring a message to someone who does not understand the original.

Here in the United States where I have lived since I was a young girl, the solitude of exile makes me feel that so little is mine; that not even the sky has the same constellations. The trees and the faunas do not have the same names or sounds, or the rubbish the same smell. How does one recover the familiar? How does one name the unfamiliar? How can one be another or live in a foreign language? These are the dilemmas of one who writes in Spanish and lives in translation.

Her face is beaming, lit from within by a memory. (p39)

For me there was happiness in churches, their wax candles giving sermons, their dim lukewarmth, their delicate twilight silence that rustles when the devout make the sign of the cross facing the figure of that barefoot, sweaty man, deathly cold. (first lines of "Wax Candles")

Writing and culture are very much related to the possibilities of the human imagination. The capacity of language allows the imagination to flow and to transform and mend the world.

Those devoted to the study of Latin American poetry can identify the names of poets such as Vicente Huidobro, Pablo Neruda, and César Vallejo, all twentieth century male poets. It is only because she won the Nobel Prize for Literature in 1945 that Gabriela Mistral's voice is not ignored. Male critics have often ascribed the poetry of women such as Mistral to the ideology that they represent; at other times, they have simply denied or ignored the literary production of women. The poetry of these women, created in patriarchal societies, has not achieved recognition within the canon of contemporary literature. In general, anthologies of Latin American poetry include very few women.

"Yes, I am a refugee. And it is a beautiful word, a beautiful thing. I am an exile. That means I am a traveler of the world and I belong to nothing but the things I love." (p454)

I think that memory is a form of translation. What motivates the artistic expression of poets and fiction writers, essayists and painters is memory. But memory is also very complicated because it consists of what one chooses to remember.

If America is a grandiose melting pot and multicultural society, then it is also a place that has not fully welcomed its immigrants, especially those of color. It is a place that used to prohibit the speaking of native tongues, and it is a place that racially profiles those whose origin is from elsewhere. A friend recently asked me why I seem so critical of this society that has given me so much. I think that to be critical is to be American. Freedom, complete freedom, includes the right to a dissenting opinion, the right to question an election. However, considering that only 30% of the citizens of the United States vote, it is fair to call the political culture dormant.