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The historian is looked upon as objective when he measures the past by the popular opinions of his own time, as subjective when he does not take these opinions for models. That man is thought best fitted to depict a period of the past, who is not in the least affected by that period. But only he who has a share in building up the future can grasp what the past has been, and only when transformed into a work of art can history arouse or even sustain instincts.

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The historian (and for that matter the philosopher) is not God, looking at the world from above and outside. He is a man, and a man of his own time and place. He looks at the past from the point of view of the present: he looks at other countries and civilizations from the point of view of his own. This point of view is valid only for him and people situated like him, but for him it is valid. He must stand firm in it, because it is the only one accessible to him, and unless he has a point of view he can see nothing at all.

There are all kinds of myths that a people has about itself, some positive, some negative, some healthy and some not healthy. I think that one job of the historian is to try to cut through some of those myths and get closer to some kind of reality. So that people can face their current situation realistically, rather than mythically. I guess that's my sense of what a historian ought to do.

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All historians have points of view. All of us use some process of selection by which we choose which stories we consider important and interesting. We do history from some perspective, within some particular worldview. Storytelling is not neutral. Curandera historians make this explicit, openly naming our partisanship, our intent to influence how people think.

History is a repository of human experiences and one can not only understand the present by studying history but also find solutions to its problems as well. However, historians sometimes present a very pessimistic view of life whereas at other times, they inspire dejected and disillusioned people to struggle for survival.

The historian is not only a lover of truth, not only a chronicler of events. These, indeed, he must be at his peril, but how much more! Insight into human nature—and this implies the rarest knowledge and finest sympathy of which man is capable; the power of tracing the delicate relation between deed and motive, and the pressure of action upon circumstance and circumstance upon action; knowledge of the world, in short, in the highest sense of that expression.

historians must and ought to be exact, truthful, and absolutely free of passions, for neither interest, fear, rancor, nor affection should make them deviate from the path of the truth, whose mother is history, the rival of time, repository of great deeds, witness to the past, example and adviser to the present, and forewarning to the future.

The historian's special contribution is the discovery of the manifold shapes of time. The aim of the historian, regardless of his specialty in erudition, is to portray time. He is committed to the detection and description of the shape of time.

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The historian, then, is an individual human being. Like other individuals, he is also a social phenomenon, both the product and the conscious or unconscious spokesman of the society to which he belongs; it is in this capacity that he approaches the facts of the historical past. We sometimes speak of the course of history as a ‘moving procession’. The metaphor is fair enough, provided it does not tempt the historian to think of himself as an eagle surveying the scene from a lonely crag or as a V.I.P. at the saluting base. Nothing of the kind! The historian is just another dim figure trudging along in another part of the procession. And as the procession winds along, swerving now to the right and now to the left, and sometimes doubling back on itself, the relative positions of different parts of the procession are constantly changing, so that it may make perfectly good sense to say, for example, that we are nearer today to the Middle Ages than were our great-grandfathers a century ago, or that the age of Caesar is nearer to us than the age of Dante. New vistas, new angles of vision, constantly appear as the procession – and the historian with it – moves along. The historian is part of history. The point in the procession at which he finds himself determines his angle of vision over the past.

Historians do not, as too many of my colleagues keep mindlessly repeating, “reconstruct” the past. What historians do is produce knowledge about the past, or, with respect to each individual, fallible historian, produce contributions to knowledge about the past. Thus the best and most concise definition of history is: “The bodies of knowledge about the past produced by historians, together with everything that is involved in the production, communication of, and teaching about that knowledge.

Where historians try to come to grips with a period which has left surviving eyewitnesses, two quite different concepts of history clash, or, in the best of cases, supplement each other: the scholarly and the existential, archive and personal memory. For everyone is a historian of his or her own consciously lived lifetime inasmuch as he or she comes to terms with it in the mind – an unreliable historian from most points of view, as anyone knows who has ventured into ‘oral history’, but one whose contribution is essential. Scholars who interview old soldiers or politicians will have already acquired more, and more reliable, information about what happened from print and paper, than their source has in his or her memory, but may nevertheless misunderstand it. And, unlike, say, the historian of the crusades, the historian of the Second World War can be corrected by those who, remembering, shake their head and tell him or her: ‘But it was not like that at all.’ Nevertheless, both the versions of history which thus confront one another are, in different senses, coherent constructions of the past, consciously held as such and at least potentially capable of definition.

since historians must and ought to be exact, truthful, and absolutely free of passions, for neither interest, fear, rancor, nor affection should make them deviate from the path of the truth, whose mother is history, the rival of time, repository of great deeds, witness to the past, example and adviser to the present, and forewarning to the future.

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The debate between us is on one level between historians who believe they are purely objective reconstructers of the past, like [Benny] Morris, and those who claim that they are subjective human beings striving to tell their own version of the past, like myself. When we write histories, we built arches over a long period of time and we construct out of the material in front of us a narrative. We believe and hope that this narrative is a loyal reconstruction of what happened — although as was discovered by historiographers Morris had never bothered to read — we can not ride a train back in time to check it. Narratives of this kind, when written by historians involved deeply in the subject matter they write about, such as in the case of Israeli historians who write about the Palestine conflict, is motivated also — and this is not a fault but a blessing — by a deep involvement and a wish to make a point. This point is called ideology or politics. Zionist historians wanted to prove that Zionism was valid, moral and right and Palestinian historians wished to show that they were victimized and wronged....
I had a different point to make: I condemned the uprooting of the Palestinians and the violence inflicted on them, as well as the de—Arabization of Jews who came from Arab countries to Israel, the imposition of military rule on Palestinians in Israel before 1967 and the de—facto Apartheid policies put in place after 1967.

History, if it should serve its purpose of stirring emotion, instigating inquiry and directing thought, must first of all be exciting. Is it impossible to be both truthful and warm-hearted, both factual and moving? Are imagination and conscience necessarily enemies to each other? In reconciling them is the art of the true historian. The flow of the story must be swift, vivid, vibrant.

The system-builders, from Hegel to Toynbee, selected facts from history to prove an a priori thesis, and presented subjective works of art as objective statements of fact. But the old positivist belief in the possibility of a truly scientific and objective history is no longer held even by the most fanatical members of the Institute of Historical Research.

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