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Are you under the impression that the object of everyone else’s love actually exists?” “Is that even a question?” “Sure. For the majority of people, what they love exists only in the imagination. The object of their love is not the man or woman of reality, but what he or she is like in their imagination. The person in reality is just a template used for the creation of this dream lover. Eventually, they find out the differences between their dream lover and the template. If they can get used to those differences, then they can be together. If not, they split up. It’s as simple as that. You differ from the majority in one respect: You didn’t need a template.
Once we realize what the religious solution did, we can see how modern man edged himself into an impossible situation. He still needed to feel heroic, to know that his life mattered in the scheme of things; he still had to be specially “good” for something truly special. Also, he still had to merge himself with some higher, self-absorbing meaning, in trust and in gratitude—what we saw as the universal motive of the Agape-merger. If he no longer had God, how was he to do this? One of the first ways that occurred to him, as Rank saw, was the “romantic solution”: he fixed his urge to cosmic heroism onto another person in the form of a love object. The self-glorification that he needed in his innermost nature he now looked for in the love partner. The love partner becomes the divine ideal within which to fulfill one’s life. All spiritual and moral needs now become focussed in one individual. Spirituality, which once referred to another dimension of things, is now brought down to this earth and given form in another individual human being. Salvation itself is no longer referred to an abstraction like God but can be sought “in the beatification of the other.” We could call this “transference beatification.” Man now lives in a “cosmology of two.” To be sure, all through history there has been some competition between human objects of love and divine ones—we think of Héloïse and Abelard, Alcibiades and Socrates, or even the Song of Solomon. But the main difference is that in traditional society the human partner would not absorb into himself the whole dimension of the divine; in modern society he does. In case we are inclined to forget how deified the romantic love object is, the popular songs continually remind us. They tell us that the lover is the “springtime,” the “angel-glow,” with eyes “like stars,” that the experience of love will be “divine,” “like heaven” itself, and so on and on; popular love songs have surely had this content from ancient times and will likely continue to have it as long as man remains a mammal and a cousin of the primates. These songs reflect the hunger for real experience, a serious emotional yearning on the part of the creature. The point is that if the love object is divine perfection, then one’s own self is elevated by joining one’s destiny to it. One has the highest measure for one’s ideal-striving; all of one’s inner conflicts and contradictions, the many aspects of guilt —all these one can try to purge in a perfect consummation with perfection itself. This becomes a true “moral vindication in the other.” Modern man fulfills his urge to self-expansion in the love object just as it was once fulfilled in God: “God as … representation of our own will does not resist us except when we ourselves want it, and just as little does the lover resist us who, in yielding, subjects himself to our will.” In one word, the love object is God. As a Hindu song puts it: “My lover is like God; if he accepts me my existence is utilized.” No wonder Rank could conclude that the love relationship of modern man is a religious problem.
Of the rest, nothing further is said, save that lovers love and live and, in due season, as all men must, they also die. And so with Ezail and Chavir who had been Sovaz and Oloru, Azhriaz and Chuz. For such was and is mortal life, mortal death. But for love, who can predict or measure, plot, ascribe, or declare an end. Love is one of the immortals.
For our radically misnamed “materialistic” civilization must above all cultivate the love of material, of earth, air, and water, of mountains and forests, of excellent food and imaginative housing and clothing, and of cherishing our artfully erotic contacts between human bodies. Certainly, all these so–called “things” are as impermanent as ripples in water, but what life, what love, what energy is there in a perfectly pure abstraction or a totally solid and eternally indestructible rock?
Love is eternal — the aspect may change, but not the essence. There is the same difference in a person before and after he is in love as there is in an unlighted lamp and one that is burning. The lamp was there and was a good lamp, but now it is shedding light too, and that is its real function. And love makes one calmer about many things, and that way, one is more fit for one's work.
I must, here again, in mere honesty, I must distinguish. I mean that I think you know, as well as I do, love is not a gift which any man can give nor any person hope long to retain. Ah, no, madame! we shrug, we smilingly allow romanticists their catchwords: meanwhile it remains the veriest axiom, among realists like you and me, that love too is but a loan.
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