On my voyage back into the Ghetto, I wanted to take with me all the questions that had tormented me after the liberation. Why had the world learned n… - Chava Rosenfarb
" "On my voyage back into the Ghetto, I wanted to take with me all the questions that had tormented me after the liberation. Why had the world learned nothing from our suffering? Were the Nazis only the most extreme example of the urge to do evil, or was the drive to destroy inherent in human nature? The Nazis were, for me, the most obvious channel through which the poison of hatred could flow freely—but the poison itself, where did it come from? What was its source? In writing about the Ghetto, I wanted to find that source. I wanted to discover the essence of our humanity, to touch upon the source, upon the core of the human soul and see it reflected in the soul of the Ghetto Jew, who had stood stripped of every shred of artifice and pretense necessary to leading a normal life. There, in the Ghetto, humans had faced humans without any embellishments or illusions. They had faced the brutality of their fellow human beings, as well as the knowledge of what that brutality meant to their own destinies. It was as if the dams of a river had opened within me and I became pregnant with the idea for my book. And so it was, that by the time I arrived in Montreal, I was doubly pregnant: pregnant with my daughter, who was born in Canada, and pregnant with my novel, which was born here as well, but many years later, when my daughter was already grown and my son was an adolescent. I called this novel about the death of the Jewish community of Lodz The Tree of Life.
About Chava Rosenfarb
Chava Rosenfarb (9 February 1923 – 30 January 2011) (Yiddish: חוה ראָזענפֿאַרב) was a Jewish Holocaust survivor and author of Yiddish poetry and novels, a major contributor to post-World War II Yiddish literature. She lived in Lodz, Poland in her childhood, and moved to Canada in 1950.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Chava Rosenfarb
There were moments when he felt something soft, something acutely sensitive vibrating within him. He, who until now had been a 'surface' person, who had been able to call everything by its name with so much self-assurance, and who had had such a concrete sense of reality, began to feel uncertain and vague, to experience a bitter-sweet indeterminate craving, as if something crippled yet trembling with life was desperately trying to break through the thick icy core inside him, crying to come out. (chapter 1)
What intrigues me in human nature is precisely the thing that defies gender and sexual difference, heredity and upbringing. If my character is male, then I must try to immerse myself in his masculinity in order to inhabit him completely. The same is true if my character is female...I believe that in a successful literary work the writer rises above her inner censor and transcends the confines of gender; that in such a work it makes little difference if the female characters are depicted by a male or a female writer. In such a work the writer, whatever his or her actual gender, is a feminist. In such a work the female writer is faithful to her own essence and the male writer sees his female characters as autonomous beings, similar to himself and yet different. Such a work would make us realize that we all have an equal share in our common humanity. That, at least, would be my ideal.