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If my works are good and of any importance for the further development of our art, they will maintain their position in spite of all opposition on the part of critics, and in spite of all denigration of my artistic intentions. If they are worthtless, not even the most gratifying box office success or the most enthusiastic acclamation of augurs will keep them alive. Let the pulping press devour them...I shall not shed a tear over their grave.
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It must be good to die in the knowledge that one has done some truthful work and to know that, as a result, one will live in the memory of at least a few and leave a good example for those who come after. A work that is good may not last forever, but the thought expressed by it will, and the work itself will surely survive for a very long time, and those who come later can do no better than follow in the footsteps of such predecessors and copy their example.
For myself, and I was not alone, all the conscious and recollected years of my life have been lived to this day under the heavy threat of world catastrophe, and most of the energies of my mind and spirit have been spent in the effort to grasp the meaning of those threats, to trace them to their sources and to understand the logic of this majestic and terrible failure of the life of man in the Western world. In the face of such shape and weight of present misfortune, the voice of the individual artist may seem perhaps of no more consequence than the whirring of a cricket in the grass, but the arts do live continuously, and they live literally by faith; their names and their shapes and their uses and their basic meanings survive unchanged in all that matters through times of interruption, diminishment, neglect; they outlive governments and creeds and the societies, even the very civilization that produced them. They cannot be destroyed altogether because they represent the substance of faith and the only reality. They are what we find again when the ruins are cleared away.
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Indeed, even if you make God your goal, all the works you perform for his sake will be dead, and you will only spoil those works which are genuinely good. Not only will you spoil your good works, but you will also commit sins, for you will be behaving like a gardener who is supposed to plant a garden but who pulls out all the trees instead and then demands his wages. That is how you will spoil your good works. And so, if you wish to live and wish your works to live too, then you must be dead to all things and be reduced to nothing. It is a property of creatures to make one thing from another, but it is a property of God to make something from nothing. And so if God is to make something of you or in you, then you must first yourself become nothingness. Enter your own inner ground therefore and act from there, and all your works shall be living works. That is why ' the wise man' says that 'the just person lives in eternity' since it is because they are just that such a person acts, and all their works are living works.
Creating everlasting works is possible only being ducked in Verity; and gaining verity is possible only from the god. The one who given the ability for creation to, it is given the ability for immortality to. This ability is the substance not only of the human beings, but it can be seen in animals; birds and insects.
"It must be good to die in the knowledge that one has done some truthful work and to know that, as a result, one will live on in the memory of at least a few, and leave a good example for those who come after. A work that is good may not last for ever, but the thought expressed by it will. And the work itself will surely survive for a very long time. And those who come later can do no better than follow in the footsteps of such predecessors and copy their example."
"The Letters of Vincent van Gogh" (Amsterdam, 3 March 1878)
I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
It is impossible to see how good work might be accomplished by people who think that our life in this world either signifies nothing or has only a negative significance.
If, on the other hand, we believe that we are living souls, God's dust and God's breath, acting our parts among other creatures all made of the same dust and breath as ourselves; and if we understand that we are free, within the obvious limits of moral human life, to do evil or good to ourselves and to the other creatures - then all our acts have a supreme significance. If it is true that we are living souls and morally free, then all of us are artists. All of us are makers, within mortal terms and limits, of our lives, of one another's lives, of things we need and use...
If we think of ourselves as living souls, immortal creatures, living in the midst of a Creation that is mostly mysterious, and if we see that everything we make or do cannot help but have an everlasting significance for ourselves, for others, and for the world, then we see why some religious teachers have understood work as a form of prayer...
Work connects us both to Creation and to eternity. (pg. 316, Christianity and the Survival of Creation)
How many of the ragged workingmen who pass him in the street are secret authors of works that will outlast them: roads, walls, pylons? Immortality of a kind, a limited immortality, is not so hard to achieve after all. Why then does he persist in inscribing marks on paper, in the faint hope that people not yet born will take the trouble to decipher them?
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