poet, teacher
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The Statue of Liberty is an extension of a tradition that seems to embody the contradictions in America's promise, and a reminder that its promises have not always been extended to us. As the narrator in James Baldwin's 1960 short story "This Morning, This Evening, So Soon" puts it, "I would never know what this statue meant to others, she had always been an ugly joke for me."
I thought of my primary and secondary education. I remembered feeling crippling guilt as I silently wondered why every enslaved person couldn't simply escape like Douglass, Tubman, and Jacobs had. I found myself angered by the stories of those who did not escape. Had they not tried hard enough? Didn't they care enough to do something? Did they choose to remain enslaved? This, I now realize, is part of the insidiousness of white supremacy; it illuminates the exceptional in order to implicitly blame those who cannot, in the most brutal circumstances, attain superhuman heights. It does this instead of blaming the system, the people who built it, the people who maintained it. In overly mythologizing our ancestors, we forget an all-too-important reality: the vast majority were ordinary people, which is to say they were people just like everyone else. This ordinariness is only shameful when used to legitimate oppression. This is its own quiet violence.
While a life like Frederick Douglass's is remarkable, we must remember that not every person who lived through slavery was like Douglass. Most did not learn to read or write. Most did not engage in hand-to-hand combat with white slave breakers. Most did not live close enough to free states in the North to have any hope of escape. No one, enslaved or otherwise, was like Douglass. There were other brilliant, exceptional people who lived under slavery, and many resisted the institution in innumerable ways, but our country's teachings about slavery, painfully limited, often focus singularly on heroic slave narratives at the expense of the millions of men and women whose stories might be less sensational but are no less worthy of being told.
When I read Jefferson's disparagement of Wheatley, it felt like he had been disparaging the entire lineage of Black poets who would follow her, myself included, and I saw a man who had not had a clear understanding of what love is. When Robert Hayden gave us the ballads to remember how captured Africans survived the Middle Passage and arrived on these shores, it was an act of love. When Gwendolyn Brooks wrote about the children on the South Side of Chicago playing with one another in neighborhoods left neglected by the city, it was an act of love. When Audre Lorde fractured this language and then built us a new one, giving us a fresh way to make sense of who we are in the world, it was an act of love. When Sonia Sanchez makes lightning of her tongue, moving from Southern colloquialisms to stanzas shaped by Swahili, traversing an ocean in one breath, it is an act of love. Jefferson's conceptions of love seem to have been so distorted by his own prejudices that he was unable to recognize the endless examples of love that pervaded plantations across the country: mothers who huddled over their children and took the lash so their little ones wouldn't have to; surrogate mothers, fathers, and grandparents who took in children and raised them as their own when their biological parents were disappeared in the middle of the night; the people who loved and married and committed to one another despite the omnipresent threat that they might be separated at any moment. What is love if not this?
I think we tend to have this sort of bifurcated view and overly simplistic view of, like, “Oh, the people in the North were the good guys, and people in the South were the bad guys.” But there were a lot of people in the North, and, as I talked about, in New York City, who were deeply committed to the perpetuation and existence of slavery in the South, because it was beneficial for them economically, it was beneficial for them politically, it was beneficial for them socially. And it was in line with how they understood the role of enslaved people and Black people in this country. They might not have wanted to have owned enslaved people themselves, but they most certainly did not believe in abolition, or they most certainly did not think that they wanted something to prevent the massive influx of capital that they were receiving from continuing to flow into their hands.
it is very clear not only that New York City had enslaved people itself for an extended period of time, as did places in New England, Connecticut, Rhode Island, but that it is the financial and economic infrastructure of New York City and the people who created mass amounts of wealth in that city that allowed slavery to continue to evolve and prosper.
What a lot of people don’t know is that New York City, for an extended period of time, was the second-largest slave port in the country, after Charleston, South Carolina; that in 1860, on the brink of the Civil War, when South Carolina was about to secede from the Union after the election of Abraham Lincoln, that New York City’s mayor, Fernando Wood, proposed that New York City should also secede from the Union alongside the Southern states, because New York’s financial and political infrastructure were so deeply entangled and tied to the slavocracy of the South; also that the Statue of Liberty was originally conceived by Édouard de Laboulaye, a French abolitionist, who conceived of the idea of the Statue of Liberty and giving it to the United States as a gift, that it was originally conceived as an idea to celebrate the end of the Civil War and to celebrate abolition. The original conception of the statue actually had Lady Liberty breaking shackles, like a pair of broken shackles on her wrists, to symbolize the end of slavery. And over time, it became very clear that that would not have the sort of wide stream — or, wide mainstream support of people across the country, obviously this having been just not too long after the end of the Civil War, so there were still a lot of fresh wounds. And so they shifted the meaning of the statue to be more about sort of inclusivity, more about the American experience, the American project, the American promise, the promise of democracy, and sort of obfuscated the original meaning, to the point where even the design changed. And so they replaced the shackles with a tablet and the torch, and then put the shackles very subtly sort of underneath her robe. And you can — but the only way you can see them, these broken chains, these broken links, are from a helicopter or from an airplane. And in many ways, I think that that is a microcosm for how we hide the story of slavery across this country, that these chain links are hidden, out of sight, out of view of most people, under the robe of Lady Liberty, and how the story of slavery across this country is very — as we see now, very intentionally trying to be hidden and kept from so many people, so that we have a fundamentally inconsistent understanding of the way that slavery shaped our contemporary society today.
And the thing is that names and symbols and holidays, like, aren’t just names and symbols and symbolism. What they are are reflective of the stories that people tell. And those stories shape the narratives that societies carry. And those narratives shape public policy. And public policy, that shapes the material conditions of people’s lives. Which is not to say that taking down a statue of Robert E. Lee or making Juneteenth a holiday is going to erase the racial wealth gap. Of course not. But what it is is part of an ecosystem of narratives and stories and ideas that can help us recalibrate our understanding of why certain communities look the way that they do and what needs to be done and invested in those communities to create a new set of opportunities. So, we should recognize and celebrate that Juneteenth is a holiday, and we should also recognize that that is not enough — it is not nearly enough — and that it is one part of a much longer struggle and a much larger struggle to make sure that we are creating a more equitable and just world.
I think all the time about having grown up in New Orleans, and to get to school, I had to go down Robert E. Lee Boulevard; to get to the grocery store, I had to go down Jefferson Davis Highway; that my middle school was named after a leader of the Confederacy; that the street my parents live on today is named after somebody who owned 115 enslaved people.
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And so, part of what is happening in these state legislatures across the country with regard to the effort to push back against teaching of history — 1619 Project, critical race theory and the like — is a recognition that we have developed in this country a more sophisticated understanding, a more sophisticated framework, a more sophisticated public lexicon, with which to understand how slavery — how racism was not just an interpersonal phenomenon, it was a historic one, it was a structural one, it was a systemic one. And I’m very much sympathetic — I know there’s some sentiment out there, that people are saying, “Well, we didn’t ask for Juneteenth to become a holiday. We want voting rights. We want police reform. We want abolition. We want” — and I 100% understand that. I also think that we should not undervalue what it means for Juneteenth to become a holiday, in part because then we are not valuing the work that Black activists have done over the course of decades to get there, and because while symbols are not necessarily material change, they are not irrelevant.