He is not subject to sleep, but he sees and hears everything, he is omniscient, and nothing in heaven or earth can escape him. He is armed with a club, and with it, well fused and well-savve, he goes sweaping the armies of demons and all those who deny him, whose weapons are thrown in vain by them at him.

He has all the attributes of a most high God, because he is omniscient, very wise, custodian and defender of his creatures, inaccessible to deception because he sees and knows everything, creator of light, of men and of the so-s callous heifer that is, as you will see, the His throne stands in the highest heaven, and he sits there surrounded by celestial militias. The latter concept is common, it can be said, to almost all religions; but the attributes now enumerated are of a philosophical and theological nature, such that Ahura Mazdao approach it to the Semitic god, to the Yahveh in particular of the Jews, while they diverge him from any other Indo-European god to whom, usually, they must always, or

The Daēvi of Zoroastrianism are not in origin other than the Devis of the correspondent, indeed related Indian mythology and theology. Other than the Indian Devi are good deities, protective friends of man, where the Iranian Daēvi are evil beings, true evil geniuses. This is probably due to the fact that some religious cleaver, as can reasonably be assumed, troubled Aryan or Indo-Iranian society or life before the exchangeable separation, that is, that ancient religious concepts had to gradually change and alter deeply for reasons that it is very difficult, not impossible, to trace.

Anra Mainyu tries by all means to destroy, to annihilate the work of Ahura Mazdao, and there, in the bottom of the cold and gloomy north, stands the seat of the demons he procreated, while under the shining plague of the southern sky, there is the way traveled by the alone, there is the happy seat of the blessed.

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The name Ahura, like the name of Yahveh that the Bible gives to the God of Israel, means Being, that is, Being par excellence; and it is obvious to understand that such a concept, high and sublime, mere and pure metaphysical abstraction, can only proceed from an elected speculative mind, can belong to the And would this idea come to Zarathustra from the Semites, indeed from the Jews?

He has few dogmas, but he brings to the faithful very high teachings; he admits the future life, he promises the coming, at the end of the world and when the dead will rise again, of a Savior, he announcing the prize that will touch the good, and the penalty of the wicked.

There is no well-founded reason to accuse Alessandro of the dispersion of the 'Avesta' and the consequent loss of many among the books of it, even if the Parsi accuse him of this, they who usually call him, for the hatred they have, the cursed. Coming from hatred, the accusation cannot be entirely right, and on the other hand it is known that Alexander was not intolerant of the religions of the peoples he visited and defeated, he did not deal with either their rites or their beliefs, which, while he had many other things to expect, he cared little or nothing. Indeed, if they cared, they cared in a favorable sense, because it is also known that the Macedonian soldiers who had followed him in the East, accused him, as crude as they were and uncultured, of assuming Asian customs and rites, the Persians in particular.

The<nowiki>'</nowiki> Hadesta' which we now have it, is far from what it was supposed to be at one time when it formed as a wide and vast encyclopedia. Nor was it the sacred code, the sacred book of all Irans, yes good of a single part of the nation. He was not of the Persians in antiquity, because from what Herodotus says about their religion, and from what is evident from the inscriptions of the Achaemenids, it appears that they professed a very similar religion, but not that of the <nowiki>'</nowiki>Avesta. The Persians, on the other hand, embraced it much later, that is, after the Vulgar Era, when the Sassanids solemnly proclaimed it, with the 'Avesta', the official religion of the kingdom.

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Three moments of maximum splendor had the Iranian culture and civilization, and these are pted and added up, so to speak, in three equally glorious and illustrious names that are Zarathustra, Dario, Firdusi. The first two belong to the ancient age, and one is a great legislator, also the founder of a novel religion; the other is a great prince, unifier of the patrio kingdom. He belongs to the third to the Middle Ages, and is a great poet, worthy of standing next to the majors of the West.

If not even the Arabs, the Muslims all, of whatever nation they were, had the pride in the Middle Ages of finesse and splendor in life, of skill sought in everything that touches pomp and luxury, from the fantastically crafted palaces to the most delicate essences and scents, of all costs they owe to the Persians from whom they took it and appropriated Even the science that came to us from Asia in the Middle Ages, in great part was Persian; and Persians are almost all philosophers, doctors, astronomers, mathematicians, whose names we read in the pages of our middle age, such as Agazel and Alrasi, Albatenio, Avicenna, Alfarabi. They wrote their works in Arabic, this being the learned language of the Muslim empire; and we therefore, with manifest error, called them Arabs and yet we consider them to be so.

However, the Iranian ingenuity was not extinguished; which on the contrary, as always happens when a civilized people is subject to a stronger, but still barbaric and crude, those crude and barbaric inhabitants of the desert all, or almost everything, had to learn what is about political, military and literary art.

This great prince, to whom the West owes not a few things, acquired a beautiful glory of righteousness, so much so that he was long celebrated as such in the Persian and Arab novels, protected the arts and letters, welcomed to his canteen the philosophers that Justinian emperor had driven out of Constantino Thus, for him, it began that literary movement that four centuries later, or a little more, had to put head to the poetic composition of it book by the work of Firdusi.