Mircea Eliade Quotes

Stăpânul nostru, al tuturor, este astăzi Războiul, începu din nou Ştefan. El a confiscat întreaga istorie contemporană, timpul în care am fost ursiţi să trăim. Europa întreagă trăieşte ca un monstruos automat, pus în mişcare de veştile lansate în fiecare minut de sutele de posturi de radio, de ediţiile speciale ale ziarelor, de convorbirile între prieteni... Chiar când rămânem singuri, tot la Război ne gândim, adică, tot sclavii Istoriei suntem. Teroarea evenimentelor este nu numai umilitoare pentru fiecare dintre noi, ca fiinţe umane, dar este, în cele din urmă, sterilă. Nimic nu se alege din acest contact permanent cu Istoria; nu ne îmbogăţim cu nimic, nu descoperim nimic care să merite într-adevăr să fie descoperit...

It is known that for the Greeks delta was a symbol for woman. The Pythagoreans regarded the triangle as the arche geneseoas because of its perfect form and because it represented the archetype of universal fertility. A similar symbolism for the triangle is to be found in India.

A evita ridicolul înseamnă a refuza singura şansă de nemurire.

Alchemy posed as a sacred science, whereas chemistry came into its own when substances had shed their sacred attributes.

"Le mythe, écrit Mircea Eliade, "raconte une histoire sacrée; il relate un événement qui a eu lieu dans le temps primordial, le temps fabuleux des commencements. Autrement dit, le mythe raconte comment, grâce aux exploits des Etres surnaturels, une réalité est venue à l'existence, que ce soit la réalité totale: le cosmos,, ou seulement un fragment: une île, une espèce végétale, un comportement humain, une institution. C'est donc toujours le récit d'une "création": on rapporte comment quelque chose a été produit, a commencé à être" ("Aspects du mythe")."

Până și lectura are o funcție mitologică (...) pentru că îi permite omului modern o „ieșire din timp”, asemănătoare cu cea înlesnită de mituri. Fie că-și „omoară” timpul cu un roman polițist ori pătrunde în universul temporar străin pe care-l reprezintă orice roman, omul modern este proiectat, prin lectură, în afara duratei sale personale și integrat altor ritmuri, trăind într-o altă „istorie”.

The sexual classification of ores and stones was maintained in the alchemical writings and lapidaries of the Middle Ages;

And since a more convincing argument could not be found — aside from a fatal accident or suicide — this way was chosen: a process of galloping senescence.

Deci mutatia a avut loc în epoca — mitica sau nu, putin îmi pasa, eu, ca om de stiinta, nu ma las impresionat de cuvinte — a avut loc în epoca imediat urmatoare izgonirii din Paradis. Pedeapsa de care vorbeste capitolul III din cartea Genezei aceasta a fost: amnezia. Corpul omenesc a uitat pur si simplu ca fusese înzestrat cu o functiune capitala: autoregenerarea celulelor...

The country of the souls is underneath us, toward the sunset; the trail leads through a dim twilight. Tracks of the people who last went over it and of their dogs are visible.

Az álmokban, az álmodozásokban rejlő nosztalgia, vágy, lelkesedés stb. képei olyan erők, amelyek a történelmileg meghatározott emberi lényt saját „történelmi pillanatába” zárt világánál százszorta gazdagabb szellemi világba röpítik át.

The celestial god is not identified with the sky, for he is the same god who, creating the entire cosmos, created the sky too. This is why he is called Creator, All-powerful, Lord, Chief, Father, and the like. The celestial god is a person, not a uranian epiphany. But he lives in the sky and is manifested in meteorological phenomena — thunder, lightning, storm, meteors, and so on. This means that certain privileged structures of the cosmos — the sky, the atmosphere — constitute favorite epiphanies of the supreme being; he reveals his presence by what is specifically and peculiarly his — the majesty (majestas) of the celestial immensity, the terror (tremendum) of the storm.

In imitating the exemplary acts of a god or of a mythic hero, or simply by recounting their adventures, the man of an archaic society detaches himself from profane time and magically re-enters the Great Time, the sacred time.

In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted. "Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

Whereas "false stories" can be told anywhere and at any time, myths must not be recited except during a period of sacred time (usually in autumn or winter, and only at night).... This custom has survived even among peoples who have passed beyond the archaic stage of culture. Among the Turco-Mongols and the Tibetans the epic songs of the Gesar cycle can be recited only at night and in winter.