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I quite like talking myself, but when Peter was in the room there wasn't much point, you just had to listen. He was unimaginably, overwhelmingly gifted. You had to imagine a cross between Dr. Johnson, Isaiah Berlin, Peter Sellers and don't forget Charlie Chaplin — because Peter was a great mime too. … He was inexhaustible. It was like talking to Europe, talking to history.

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Twain had it too and Alexander Woollcott. Stephen Spender and Barbara Skelton insisted Cyril Connolly had it, on rare occasions, when the word for it was “magnificent,” but I only heard faint echoes of this gigantic gift. Sir Isaiah Berlin had it, and I heard him: but the trouble was, once he got really going on a line of fantastic humor, he began to speak so fast, and his accent became so impenetrable, that the sense wasdifficult to grasp, though his evident delight in his fun was so furious that you laughed all the same.

He told me much about himself in a very brief space, for he seemed to have more tongues than ears. I could not get a word in anywhere and you know I am too much in love with my own voice to like being suppressed and overtalked in that way, but enough of Dr. Tomblety. he seemed a good fellow after all.

Unforced, as conversation passed,
he had the talent of saluting
felicitously every theme,
of listening like a judge-supreme
while serious topics were disputing,
or, with an epigram-surprise,
of kindling smiles in ladies' eyes.

He wanted most of all the people of his own mind, people with whom he could really talk, people he could harangue and scold by the hour, servants, you see, to his fancy. Among these people he was always self-confident and bold. They might talk, to be sure, and even have opinions of their own, but always he talked last and best. He was like a writer busy among the figures of his brain, a kind of tiny blue-eyed king he was, in a six-dollar room facing Washington Square in the city of New York.

[H]e seldom or never spoke except actually to convey an idea. Measured by quantity of words, he was a talker of fully average copiousness; by extent of meaning communicated, he was the most copious I have listened to. How in few sentences he would sketch you off an entire biography, an entire object or transaction, keen, clear, rugged, genuine, completely rounded In! His words came direct from the heart by the inspiration of the moment.

He had a conspicuous individual talent, but it was interpretive, not directly creative. He could never have emulated Chaplin, Keaton or Jacques Tati and set up a whole project by himself, controlling its every detail even if the task took years. But there is no point carping. He had such a protean capacity that it would have been a miracle if he had been in full command of it.

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And if I was seen as temperamentally cool and collected, measured in how I used my words, Joe was all warmth, a man without inhibitions, happy to share whatever popped into his head. It was an endearing trait, for he genuinely enjoyed people. You could see it as he worked a room, his handsome face always cast in a dazzling smile (and just inches from whomever he was talking to), asking a person where they were from, telling them a story about how much he loved their hometown (“Best calzone I ever tasted”) or how they must know so-and-so (“An absolutely great guy, salt of the earth”), flattering their children (“Anyone ever tell you you’re gorgeous?”) or their mother (“You can’t be a day over forty!”), and then on to the next person, and the next, until he’d touched every soul in the room with a flurry of handshakes, hugs, kisses, backslaps, compliments, and one-liners. Joe’s enthusiasm had its downside. In a town filled with people who liked to hear themselves talk, he had no peer. If a speech was scheduled for fifteen minutes, Joe went for at least a half hour. If it was scheduled for a half hour, there was no telling how long he might talk. His soliloquies during committee hearings were legendary. His lack of a filter periodically got him in trouble, as when during the primaries, he had pronounced me “articulate and bright and clean and a nice-looking guy,” a phrase surely meant as a compliment, but interpreted by some as suggesting that such characteristics in a Black man were noteworthy. As I came to know Joe, though, I found his occasional gaffes to be trivial compared to his strengths. On domestic issues, he was smart, practical, and did his homework. His experience in foreign policy was broad and deep. During his relatively short-lived run in the primaries, he had impressed me with his skill and discipline as a debater and his comfort on a national stage. Most of all, Joe had heart. He’d overcome a bad stutter as a child (which probably explained his vigorous

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Harpo, a shy and silent fellow, was taken up by the Algonquin crowd, at that time probably the most famous and brilliant conversational group in America. On a clear day, a good many of the following would be assembled there for lunch and mayhem: George Kaufman, Marc Connelly, Robert Benchley, Alexander Woollcott, Franklin P. Adams, Dorothy Parker, Newman Levy, Robert Sherwood, Howard Dietz and many others.

A good talker is sensitive to expression, to tone and color and inflection in human speech. Because he himself is articulate, he can help others to articulate their half-formulated feelings. His mind fills in the gaps, and he becomes, in Socrates’ words, a kind of midwife for ideas that are struggling to be born.

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