26 Quotes Tagged: nonfiction

"Bad improvisers block action, often with a high degree of skill. Good improvisers develop action."(p.115)

If Lenin walked around the offices of a company like Yahoo or Intel or Cisco, he’d think communism had won. Everyone would be wearing the same clothes, have the same kind of office (or rather, cubicle) with the same furnishings, and address one another by their first names instead of by honorifics. Everything would seem exactly as he’d predicted, until he looked at their bank accounts. Oops.

So long as governments set the example of killing their enemies, private individuals will occasionally kill theirs.

Consistency is the playground of dull minds

— a knowledgeable man is a free man, or at least a man who longs for freedom.

Most nonfiction writers have a definitiveness complex. They feel that they are under some obligation — to the subject, to their honor, to the gods of writing — to make their article the last word. It’s a commendable impulse, but there is no last word. What you think is definitive today will turn undefinitive by tonight, and writers who doggedly pursue every last fact will find themselves pursuing the rainbow and never settling down to write. Nobody can write a book or an article “about” something. Tolstoy couldn’t write a book about war and peace, or Melville a book about whaling. They made certain reductive decisions about time and place and about individual characters in that time and place — one man pursuing one whale. Every writing project must be reduced before you start to write. Therefore think small. Decide what corner of your subject you’re going to bite off, and be content to cover it well and stop.

But my way of writing is rather to think aloud, and follow my own humours, than much to consider who is listening to me; and, if I stop to consider what is proper to be said to this or that person, I shall soon come to doubt whether any part at all is proper.

"Right now, you know, everyone one is going to be there for you." I explained. "Everyone will surround you with love and you'll be busy and have things to keep your mind off the worst. And then in six weeks, or may be twelve weeks, everybody else's life is going to start to get back to normal. But your life isn't going to be normal again. As a matter of fact, as you probably understand already, it's going to get harder for you. And after a while you're going to start feeling guilty because you're going to be going to the same people constantly for help, or just to talk. And as their lives get back to normal, you going to start to worry about leaning on them too much. There might come a time when you think, I'm asking too much. I've got to stop complaining. So when you're down and you feel guilty for burdening your family and friends," I said, "pick up the phone and call me."

إنه من الجدير بأولئك الذين لهم عيون تبصر أن يتخذوا من اغنية الفجر ومشهد كل يوم مناسبة يحتفلون فيها باستقبال هذا الجمال المتجدد!

I've been in auditions without screens, and I can assure you that I was prejudiced. I began to listen with my eyes, and there is no way that your eyes don't affect your judgement. The only true way to listen is with your ears and your heart. (p.251)

Have you ever noticed how when someone you admire goes out and does something phenomenal, you're happy for her or him, but you're not surprised — of course they did something phenomenal, they’re a phenomenal person! But to get yourself to see how amazing you are is like pushing a giant marshmallow up a hill. Yes, there we go, we are up, we are awesome! Ooop! We’re sagging — we are sagging on the left! Push it up. There we go. We are all good! Wait, now we’re sagging on the right . . . We run around, taking one step forward and fourteen steps back when it’s so unnecessary.

"Some people look like they sound better than they actually sound, because they look confident and have good posture," once musician, a veteran of many auditions, says. "Other people look awful when they play but sound great. Other people have that belabored look when they play, but you can't hear it in the sound. There is always this dissonance between what you see and hear" (p.251).

I suspect few housing projects in the US were designed by architects who expected to live in them. You see the same thing in programming languages. C, Lisp, and Smalltalk were created for their own designers to use. Cobol, Ada, and Javawere created for other people to use. If you think you’re designing
something for idiots, odds are you’re not designing something good, even for idiots.

It seems to me that if it were not for resistance to degrading conditions, the tendency of our whole civilization would be downward; after a while we would reach the point where there would be no resistance, and slavery would come

Cruelty, yes: it was in the nature of Indian family life. The clan that gave protection and identity, and saved people from the void, was itself a little state, and it could be a hard place, full of politics, full of hatreds and changing alliances and moral denunciations. It was the kind of family life I had known for much of my childhood:...