Imaginile i se perindau in tacere, iar si iar, prin fata ochilor, intr-o succesiune tot mai rigida, parca tot ce considera omul ca-i important sa fie pastrat ar avea o ordine independenta si indisolubila, iar in timp ce memoria lucreaza sa confere certitudine si existenta prezentul atat de vremelnic, validand firele regulii vii in tesatura libera a evenimentelor , il obliga pe om ca podul peste haul ce-l desparte de propria viata sa nu-l construiasca din libertate, ci din propriile satisfactii spasmodice.
Hungarian novelist and screenwriter
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.
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It was the kind of nightmare where you realize that the missing weight of things is sitting right there on your chest, like some kind of succubus, but before you can shove it off, it gets sucked away through a mysterious process into the unknowable realm of your cells, and from there on you are defenseless, your cells already weigh a ton, while your whole body is so light it almost floats, and that’s how it goes until you can only wonder how the cells could be so unbearably heavy when the body is so nauseatingly light, and in this nauseating lightheadedness things gradually recede from you just as you too begin to gradually recede from them, in a word it is like when a person lugging a load becomes exhausted by all this lugging and suddenly looking down at his hands sees that there is nothing in them, there never was, that he had been lugging nothing — that is, when you suddenly realize that something is no longer in your possession, just as nothing ever had been.
...the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to accept that we are not obliged to do anything except to comprehend that the appropriateness of the one great universal process of thinking is not predicated on it being correct, for there was nothing to compare it with, nothing but its own beauty, and it was its beauty that gave us confidence in its truth — and this, said Korin, was what struck him as he walked those hundred furiously-thinking paces on the evening of his birthday: that is to say he understood the infinite significance of faith and was given a new insight into what the ancients had long known, that it was faith in its existence that had both created and maintained the world; the corollary of which was that it was the loss of his own faith that was now erasing it, the result of which realization being, he said, that he experienced a sudden, utterly numbing, quite awful feeling of abundance...
A fost o greseala. Pentru ca adineauri am inteles ca intre mine si o insecta, intre o insecta si un rau, intre un rau si un strigat, care se arcuieste peste acesta, nu este nici o deosebire. Totul functioneaza gol si fara noima sub presiunea dependentei si a unui stravechi balans salbatic, astfel ca numai imaginatia, nicidecum esecul etern al simturilor, ne ispiteste neincetat cu credinta, ca sa putem iesi din viziunile mizeriei.
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The only streetlights burning were those at the top of the stairs and the light they gave fell in dingy cones that shuddered in the intermittent gusts of winds assailing them because the other neon lights positioned in the thirty or so meters between them had all been broken, leaving them squatting in darkness, yet as aware of each other, of their precise positions, as of the enormous mass of dark sky above the smashed neon, the sky which might have glimpsed the reflection of its own enormous dark mass as it trembled with stars in the vista of railway yards spreading below it, had there been some relationship between the trembling stars and the twinkling dull red lights of semaphores sprinkled among the rails, but there wasn't, there was no common denominator, no interdependence between them, the only order and relationship existing within the discrete worlds of above and below, and indeed of anywhere, for the field of stars and the forest of signals stared as blankly at each other as does each and every form of being, blind in darkness and blind in radiance, as blind on earth as it is in heaven, if only so that a long moribund symmetry among this vastness might appear in the lost glance of some higher being, at the center of which, naturally, there would be a minuscule blind spot: as with Korin . . . the footbridge . . . the seven kids.
. . .what became clear was that most opinions were a waste of time, that it was a waste thinking that life was a matter of appropriate conditions and appropriate answers, because the task was not to choose but to accept, there being no obligation to choose between what was appropriate and what was inappropriate, only to accept that we are not obliged to do anything except to comprehend that the appropriateness of the one great universal process of thinking is not predicated on it being correct, for there was nothing to compare it with, nothing but its own beauty, and it was its beauty that gave us confidence in its truth. . .
at this point, we must refocus our attention on this, as fear is what defines human existence,
...you will see that fear is the deepest element that can be grasped in this organic and inorganic world, and there’s nothing else other than fear, because nothing else bears within it such dreadful strength
He heard hundreds of exhausted feet scraping the ground behind him, he saw the stray cats at his own feet as they scattered in fear before the silently advancing mass of raised iron stakes, but he felt nothing except the weight of the hand on his shoulder steering him through the army of fur caps and heavy boots. Don't be afraid, the other man repeated. Valuska gave a quick nod and glanced up at the sky. He glanced up and suddenly had the sensation that the sky wasn't where it was supposed to be; terrified, he looked up again and confirmed the fact that there was indeed nothing there, so he bowed his head and surrendered to the fur caps and boots, realizing that it was no use to search because what he sought was lost, swallowed up by this coming together of forces, of details, of this earth, this marching.
The only revolutionary feeling he was aware of, or so he considered while standing in the doorway, was pride, his own pride, a pride that did not allow him to understand that there was no qualitative difference between things, a presumptuous over-confidence which condemned him to ultimate disillusion, for to live according to the spirit of qualitative difference requires superhuman qualities.
The onset of catastrophe is not signaled by the sense of falling through the dark to an accidental death: everything, including a catastrophe, has a moment-by-moment structure - a structure that is beyond measurement or comprehension, one that is maddeningly complex or must be conceived in quite another manner, in which the degree of complexity can be articulated only in terms of images that seem impossible to conjure - visible only if time has slowed down to the point that we see the world as indifferent owing to the available circumstances and having doomed preconditions that arrive at a perfect universal conclusion, if only because they are composed of individual intentions - because the moment is the result of unconscious choices, because a key doesn't automatically fit into the ignition, because we do not start into third gear and move down to second but we start in second and move into third, rolling down the hill then turning onto a highway above the village, because the distance before us is like looking down a tunnel, because the greenery on the boughs still smells of morning dew, because of the death of a dog and someone's badly executed maneuver when turning left, that is to say because of one choice or another, of more choices and still more choices ad infinitum, those maddening had-we-but-known choices impossible to conceptualize because the situation we find ourselves in is complicated, determined by something that is in the nature of neither God nor the devil, something whose ways are impenetrable to us and are doomed to remain so because chance is simply a matter of choosing, but the result of that which might have happened anyway.
There is a war going on out there, and it's only worth waking to the dying night if you are prepared to be utterly ruthless'; a war - he kept scanning the rooftops - where everything is engaged in a conflict that has no rules; a war in which one side must continually besiege the other, in which to aim at anything but victory was pointless. It was a struggle in which the only power to remain standing was that which looked for no reasons, which was content to accept that the whole thing should remain without an explanation, because - and here he remembered The Prince's advice - it simply didn't exist...