Ships, houses, mills... in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentation compared to other, less symmetrical things, like the trees, skies, etc. It doesn't create the painting, but it certainly strengthen the illusion. It's just like somebody who is neatly dressed, but whose tie is coming off. The windows of a house must be straight, a mill in a pure construction, the blades well-positioned in perspective. (translation from original Dutch: Fons Heijnsbroek)

The drawings [his watercolors] usually succeed in one day or at most two days or they develop difficult and usually don't finish well, then.. ..[I hope] the end will be as good as the beginning. (translation from original Dutch: Fons Heijnsbroek)

I also sold some drawings [he means his watercolors] - the Dutch pieces [he painted in The Netherlands] sell rather well [in Brussels, where he lived then]. People seem to prefer colored drawings here. (translation from original Dutch: Fons Heijnsbroek)

I hope to compensate this year [in 1866 Roelofs was seriously ill] the damage of so little studies [watercolors and drawings] once and for all because most of the old ones I already used [for his oil-paintings]. (translation from original Dutch: Fons Heijnsbroek)

[one watercolor] is in spite of all its difficulties, and perhaps because she has given so much trouble, less fresh and has become a little heavy - I myself have considered for a long time whether she was good enough to send it [for a exhibition in Utrecht] (translation from original Dutch: Fons Heijnsbroek)

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We separate color and drawing because we have to. But nature doesn't. She doesn't give something a shape, for coloring it only afterwards. Form and color are inherent properties of the object that we have got as thing to paint. If we neglect one of both, we only give half. (translation from original Dutch: Fons Heijnsbroek)

Dear Sir Verloren. Today I send you a drawing for your art-reviews. I would liked to have done more for you, but I have many demands for drawings from all sides and I am still very busy with paintings after my studies I made during the last trip. I hope that the drawing will be acceptable. The price is 150 guilders. I am not sure you need a title, call it just simply, 'Bij een Drentsch dorp' (At a village in Drenthe). (translation from original Dutch: Fons Heijnsbroek)

Then make those studies outside. With the utmost simplicity you try to get rid of all the so-called manners, and try in one word to follow nature with feeling, but without thinking about the works of others. (translation from original Dutch: Fons Heijnsbroek)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb mij op uw verlangen toegelegd er meer effect in te brengen.. ..met méér licht in een teekening [= aquarel] te brengen, [wat] niet van de minst moeijelijke was.. ..[deze bewerking] heeft kwade oogenblikken doorstaan; maar ik geloof meester gebleven te zijn van het terrein en er eene Teekening [aquarel] van aspect [?] en kleur gemaakt te hebben.

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(original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..het is een meesterstuk [groot schilderij van : 'Boschgezicht' 1839, 176 x 160 cm], een welgelukte stoute onderneming om op die schaal met die uitvoerigheid zooiets voor te stellen.

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb het eenige nog niet verkochte schilderij dat voorl. jaar te Rotterdam was, overgeschilderd.. .Mij dunkt, dat het er nog al aangenaam en goed uitziet.. .Ik wilde dat gij hem zevenhonderd guldens voor vroeg.. ..voor zeshonderd zou ik het uiterlijk kunnen laten en meent gij, hem kennende, het beter zou zijn dadelijk die prijs te vragen zoo doe het dan.